Bamberger Kunst und Antiquitäten GbR

Meissen, marked with sword mark and K.P.M. 1723-24

Finely painted hunting scenes on the outer wall, in the lid portrait of a noble huntress with dogs, probably depicting Princess Amalie of Prussia,

solid gold mount

Provenance: Maximilian Baron von Goldschmitt-Rothschild

Height 5 cm, Width 6.7 cm, Depth 4.6 cm

Meissen around 1750

Tabatière in the form of a woven lidded basket with fine scattered flower painting on the outside and gallant company, noble lady with two cavaliers and moor holding with her train in park landscape, massive wavy gold mount.

Height 3 cm, Width 5.9 cm, Depth 5 cm

Meissen 1740

With two lids that can be opened upwards

Model Johann Joachim Kaendler

All around decorated with putti in various activities with park or landscape background, solid gold mount,

Provenance: Maximilian Baron von Goldschmitt-Rothschild

Height 4.7 cm, Width 9.4 cm, Depth 6.8 cm

Meissen around 1750

Very fine painting attributed to Johann Georg Heinze

Outer surfaces and inside of the lid finest painting with watteau and comedy scenes in park landscape, inside completely gilded, fine gold mount with owner's engraving

Height 3.4 cm, Width 5.4 cm, Depth 4.4 cm

Marked Augsburg 1741-43

Master Johann Nikolaus Spickermann (1741-47)

(see Seling 1890, 2337)

On a faceted base, a baluster-shaped candlestick with curved features.

Height 19.6 cm

Weight total. approx. 1100 gram

Probably Prague, around 1600

small three-part oval foot bowl made of agate with mount in silver, gilded with enamel in shell decoration and emeralds

Height 5.4 cm, Width 5.8 cm, Depth 4.5 cm

Hanau or Geneva, around 1770

Enamel medallion in the lid with a noble, fashionably dressed lady, in a three-tone gold setting with love emblems, roses, cherubs and doves as decoration for framing the portrait, extremely rich ornamentation.

Undissolved marks in the lid and bottom of the can.

Height 2.3 cm, Width 5.3 cm

Weight 59 grams

Paris around 1810

Workshop Thonissen (1806-1830)
(see Tardy page 613)

On a rectangular base in Bleu-Turquin marble, on a high pedestal, between two standing conically fluted columns with a ball at the end, a round clock mounted, crowned by the goddess Athena, rich original gilded bronzes, dial signed.

Height 50 cm, Width 40 cm, Depth 15.5 cm

VIRGIN AND CHILD

Upper Rhine, circa 1520

Lime wood, full round sculpture, old polychromy

Height: 71 cm

Provenance: private collection, Southern Germany

VIRGIN AND CHILD

Madonna on the Crescent Moon

Franconia, circa 1520

Linden wood, reverse flattened, original polychromy

Height: 95 cm

Provenance: Private collection, Franconia

Adoration of the Christ Child

Hans Klocker, workshop of
(before 1474 in Gais, South Tyrol – after 1500)

South Tyrol, Brixen, c. 1490

Relief, softwood, original polychromy
Height: 94 cm, width: 82 cm

Literature: 
Theodor Müller (ed.), Gotische Skulpturen in Tirol, Tyrolia-Verlag, Bozen, Innsbruck, Vienna, 1976, c.f. ill. 142, 146, 148 and 153.
Comparison object: Collection Belvedere, Vienna, Geburt Christi, Inv. no. 5000, on display: Prunkstall.

Provenance: private collection, France

St. Barbara

Netherlands/ Limbourg, c. 1460

Nut wood, reverse flattened, original polychromy
Height: 75.5 cm
Provenance: private collection, Southern Germany

Virgin and Child

Upper Rhine, circa 1500

Bust, lime wood, reverse hollowed out , with remnants of the original polychromy

Height: 37 cm, height with base: 52 cm

Provenance: formerly in the collection of the Bavarian National Museum, Munich
Inventory number: 1493 MA, 860 KVI

Literature: Catalogue of the Bavarian National Museum: Das Mittelalter, II. Gothische Alterthümer der Baukunst und Bildnerei, Dr. Hugo Graf (ed.), Vol. 6, Munich 1896, p. 54, No. 860.

MASTER OF THE KEFERMARKT ALTAR
Upper Austria, active c.1470 – 1510

CORONATION OF THE VIRGIN

c. 1490/1500

Lime wood, high relief

Height: 90 cm, Width: 54 cm

Literature: Clemens Sommer: Der Meister des Kefermarkter Altares und Passau. In: Zeitschrift des Deutschen Vereins für Kunstwissenschaft 2 (1935), pp. 260-273. See fig. 9, p. 269.

Provenance: Private collection, France

Franconia, around 1520

High relief in lime wood. Mother of God standing on a crescent, dressed in a long robe and richly pleated cloak, holding the infant Jesus in her hands with great grace.

Height: 73 cm

of Joseph Karl Franz, Duke of Reichstadt (1811-1832)

Vienna around 1830, white Carrara marble on a round plinth.

The King of Rome and later Duke of Reichstadt was the only legitimate descendant of Napoleon from his second marriage to Marie-Louise of Austria. He was the subject of numerous depictions due to his tragic fate.

The fully sculpted portrait bust in its antique robe was probably created around 1830. It can be attributed to the circle of artists around the Bonaparte family and the Viennese court, such as Pompeo Marchesi (1789-1858).

Height: 69 cm, width: 43 cm

Cambodia, from the time of the Chenla Empire, 7^th/8^th century

The small Buddha statue was probably made shortly before the beginning of the Khmer Empire (802-1431).

Height: 50 cm

Vittore Ghislandi, called Fra Galgario, around 1700

Oil on canvas. At the bottom left of the inscription is inscribed "Josepha Marianna Monialis / Professa in Mon. S. Mariae / Magdalenae P. L. Filia Comitis / Joseph Mariae Arconati in Saeculo Rosa".

The portrait shows one of the four daughters of the Milanese art collector Count Giuseppe Maria Arconati. He commissioned the Bergamo artist Fra Galgario to create a series of portraits of his daughters for the Villa Arconati in Lombardy.

The imposing painting shows Contessa Rosa Arconati in fantastically reproduced, most magnificent, contemporary fashion, with a pinned-up curly hairstyle and pearl jewellery on her neck, wrists and hair.

In front of a curtain drapery overlooking a garden terrace, she is presented with a sheet of music on a musical instrument as an elegant and educated lady of the Milanese nobility. Only the inscription attached to the picture refers to her future as "Suor Gioseffa Marianna" in the monastery of Santa Maria Magdalena.

Ghislandi (Bergamo 1655-1743, ibid.) came from a Bergamo family of painters and lived in Venice from 1675. There he joined the Minorite Order as a lay brother. In 1702 he belonged to the monastery of Galgario in Bergamo, changing his name to Fra Vittorio or Fra Galgario.

After returning to Bergamo from Venice and Milan, Ghislandi perfected his skills and became one of the most sought-after portrait painters of the northern Italian nobility.

Height 207 cm, width 119 cm.

Thieme/Becker, Allgemeines Lexikon der bildenden Künstler, vol. 13, pp. 566ff

Eckart Schädrich

View of the Chiemsee, var. 1

2023, signed lower right
100 x 100 cm

Eckard Schädrich (born 1950 in Herrsching am Ammersee)
studied at the Folkwangschule Essen and the Kunstakademie Munich.

We regularly offer a selection of works by Eckart Schädrich.

Eckart Schädrich

Evening Walk 1, var. 1
(Abendspaziergang 1, Var. 1)

2023, signed lower right
100 x 100 cm

Eckart Schädrich (born 1950 in Herrsching am Ammersee) studied at the Folkwangschule Essen and the Kunstakademie Munich.

We regularly offer a selection of works by Eckart Schädrich.

Alfons Walde, born 1891 in Oberndorf, died 1958 in Kitzbühel, around 1923

Oil on canvas, signed, dated and inscribed on the reverse, framed.

The painting originates from a Tyrolean private collection and is listed in the catalogue raisonné under no. D-LA-272, expert opinion Prof. Gert Ammann.

Dimensions: 79 cm x 100 cm without the frame

Alfons Walde, born 1891 in Oberndorf, died 1958 in Kitzbühel, 1934

Oil on cardboard, signed, dated and inscribed on the reverse, and framed.

The painting originates from a Tyrolean private collection and is listed in the catalogue raisonné under no. D-LA-273, expert opinion Prof. Gert Ammann.

Height: 48.5 cm, width: 69.5 cm without the frame

Alfons Walde, born 1891 in Oberndorf, died 1958 in Kitzbühel, 1934

Oil on cardboard, signed, dated, and inscribed on the reverse, framed.

The painting comes from a Tyrolean private collection and is listed in the catalogue raisonné under no. D-LA-595, expert opinion Prof. Gert Ammann.

Height: 50.2 cm, width: 77.8 cm without frame

MAX LIEBERMANN

(1847 Berlin 1935)

STUDY FOR "SCHULGANG IN LAREN"

1897

Pencil on paper

Signed upper right: M. Liebermann

Height: 37 cm, Width: 27.3 cm

Provenance:
- Kolb Collection, Zurich, probably acquired directly from the artist before 1930
- since then private collection, Zurich

Literature:
- Hans Rosenhagen: Liebermann, Bielefeld/Leipzig 1900, p. 100, ill. 108.
- Matthias Eberle, "Max Liebermann. Catalogue Raisonné of Paintings and Oil Studies 1865-1899", Vol. I, Munich 1995, cf. No. 1898/2, p. 479-482.