Bremen, masterpiece around 1785
This straight-lined front piece of furniture is characterized by ornamentation that was adapted from antique architecture.
Stout, fluted feet and a frame with elegant, floral carvings carry the substructure-commode with original, exquisitely gilt fittings, on which lies the monumental double door upper part.
A constructively forward moving middle avant-corps positioned over the full height of the cabinet connects the upper part with the substructure.
The bevelled corners of the commode part are decorated with flutings between carved acanthus leaves.
Distinct mouldings, pearl or laurel stick and rosettes structure the door fillings.
Despite its width, the upper part appears very slim due to the salient middle part and the delicate columns on the side edges.
The crowning closure of the top-mounted cabinet is a richly carved, classical amphora vase on a small socle decorated with hangings in the middle of the burst triangle gable.
The gilt applications and fittings result in a beautiful contrast on the supported veneers of pyramid mahogany.
An identic piece of top-mounted furniture is preserved together with a Bremen masterpiece of 1785 in the Frankfurt museum for applied art.
Height 290 cm, width 200 cm, depth 60 cm.
Himmelheber/ Kreisel, “Die Kunst des deutschen Möbels“, Munic 1973, volume 3, image 61.
Bauer/ Märker/ Ohm, “Europäische Möbel von der Gotik bis zum Jugendstil“, Frankfurt am Main 1976, page 132-133.